Cowan, McLeod, & Rault chronicle the challenge of creating digital spaces that house and encourage trans-feminist and queer affective and cultural archives.
"…We are also wary of the ways in which a project like ours is always already complicit in the racist, settler-colonial, expansionist violence and logics of our corporate academic industry that is designed to flatten, regulate and instrumentalize the other ways to be/of being that motivate our work. We need to foreground how this project relies on the immaterial and affective labour of artists, audiences and organizers and how our project both seeks to archive these labours and affects AND reproduces these economies. By ‘immaterial labour’ we follow Maurizio Lazzarato’s formulation of ‘labour that produces the informational and cultural content of the commodity’ (1996), and affective labours that are driven by intimacy, commitment, care, love, desire, community and community-building, but which go unrecognized, under-appreciated and un- or under-remunerated—this is affective work that is typically ignored but absolutely expected within the queer economies of world-making, in an analogous way to “women’s work” and now so uncannily familiar in ‘user-generated’ Web 2.0 culture. How do we account for asymmetrical affective labours of artists and audience members who are minoritized within these spaces and do the work of being the “diversity” in the room/on the stage that allows everyone who is majoritized to feel good. What does it mean to be an audience member (of colour, trans- feminine, Indigenous, Métis, etc.) doing the work of supporting predominantly white, predominantly non-trans identified women, in a larger/broader cultural context of white supremacy and trans- misogyny?”
Guy Debord’s Naked City, present the most radical departure from the grid. In reaction to the rational city models embraced by Parisian postwar planners in the 1950s, he and his colleagues co-opted the map of Paris, reconfiguring the experience of the city through its authority. By manipulating the map itself, they intervened in the logic of the city, constructing an alternative geography that favored the marginalized, and often threatened, spaces of the urban grid. Torn from their geographical context, these areas were woven together by arrows inspired by the itineraries of the drift or “dérive.” These “psychogeographic” maps proposed a fragmented, subjective, and temporal experience of the city as opposed to the seemingly omnipotent perspective of the planimetric map. As mapping is used as a tactic to bring together personal narratives about urban space, the Situationist maps provide a useful example of visualizing a subjective view of the city. The central problem with these maps is not in the way in which they confront norms of cartography, but the duration to which they are bound. The ephemeral nature of psychogeographic space meant that these sites could quickly shift through the pressures of development. The Situationist maps in turn become an archive of a specific moment in the life of the city. However, if these maps incorporated time, they would be able to show the migration or disappearance of these psychogeographic spaces, highlighting and critiquing the urban trends that were / are shaping the city.
Although the Situationists most likely regarded these maps as a record of the drift and a means for provoking new tactics for inhabiting the city, they also represent a valuable schema for creating new forms of cartography. These maps uniquely propose a networked model in which spatial events are abstracted from the grid and linked according to their typology. As databases form the engines of the contemporary base map, the information they contain may be retrieved in multiple configurations, allowing for a range of methods for visualizing the space of the city. The vocabulary of geo-spatial metadata behind the contemporary base map should be expanded to include a broader set of terminologies, allowing for new interpretations of the urban landscape. For example, querying space according to ambient phenomena such as its emotional associations or pollution levels. As suggested by Kevin Lynch, visualizing urban space as a montage of typologies may in fact be closer to the fragmented way in which we create our own mental maps. Perhaps we can begin to use database driven maps to understand place within a system of relations determined by their relevance to our queries, rather than their geographic location.
"No matter what we attempt to do, no matter to what fields we turn our efforts, we are dependent on power. We have to evolve means of obtaining energy from stores which are forever inexhaustible, to perfect methods which do not imply consumption and waste of any material whatever. If we use fuel to get our power, we are living on our capital and exhausting it rapidly. This method is barbarous and wantonly wasteful and will have to be stopped in the interest of coming generations."